Green Kiki

Yeah, fuck Russia

Logging into LJ to note solely that I won't be posting here in the foreseeable future, not because of my usual lazy-ass forgetting about it, but because Russia's fucking invasion of Ukraine is immoral and appalling (and I have strong doubts about whether they'll let this post be). Anyway, also posting this to DW for posterity, where any lack of posting is just because I'm lazy and never get around to posting, and not because of war.
Green Kiki

One small feature request

You know what one small feature I'd love to have in LJ? A filter/block for LJ posts that are just user's Twitter updates compiled. It was a fine thing when it first launched, but now, if I want to see someone's Tweets, I can go to Twitter, and most of those feeds are from folks who have otherwise abandoned their LJs. Yes, I can filter/unfollow, but I live in hope that I'll still see real updates from longtime friends (even as I'm crappy about it myself).
Green Kiki

gegenschein

It sucks to only remember to update LJ when someone passes, but yeah, the world lost gegenschein. We met ages ago in person, when we were visiting South FL. She moved to GA not long after we moved away, but we'd continued to keep in touch via LJ and then FB (she was literally the first person to post on my wall). Watching her grow as a human -- giving birth, shifting relationships, finding a career path -- was always a delight, and this feels sudden and fucking wrong. I've got eight LJ friends in common with her, and if any of you are still reading, figured you'd want to know.
Green Kiki

The Lost Ludlum

Robert Ludlum's novels were mostly titled as "The X Y," with the X generally being a proper noun used as a modifier and the Y being a more traditional noun. So, "The Bourne Identity," "The Scarlatti Inheritance," "The Gemini Contenders," The Holcroft Covenant," etc.

All of which is to say, "The Lament Configuration" would have made for a hell of a Ludlum novel.
Green Kiki

Reading the great mystery/crime writers

I realized something recently:

I’ve read exactly half of the 72 people* who have been or will be given Edgar Grandmaster Awards (counting the folks already announced for 2021). That’s pretty good, but it also gives me a goal: Read the other 36 authors. I’m going to try to knock that off this year, although there are all the usual things that could get in the way (ranging from the end of the world to other books distracting me). I’m also trying to read only novels here; reading short stories seems like a bit of a cop-out, although I still put Edward Hoch on my “have read” list (but I’ve also read a few dozen of his stories, possibly hundreds). And I’m counting Hitchcock as one of the ones I’ve read, since his award was based really on his movies.

The ones I’ve read:

Charlaine Harris
Jeffery Deaver
Max Allan Collins
Walter Mosley
Lois Duncan
Margaret Maron
Sara Paretsky
James Lee Burke
Sue Grafton
Bill Pronzini
Stephen King
Marcia Muller
Ira Levin
Robert B. Parker
Edward D. Hoch
Mary Higgins Clark
P.D. James
Mickey Spillane
Lawrence Block
Donald E. Westlake
Elmore Leonard
Ed McBain
John le Carre
Margaret Millar
Daphne du Maurier
Dorothy B. Hughes
Graham Greene
Ross Macdonald
Alfred Hitchcock
John D. MacDonald
James M. Cain
Georges Simenon
John Dickson Carr
Erle Stanley Gardner
Ellery Queen
Agatha Christie

The ones I need to read:

Barbara Neely
Martin Cruz Smith
Jane Langton
William Link
Peter Lovesey
Ellen Hart
James Ellroy
Robert Crais
Carolyn Hart
Ken Follett
Martha Grimes
Dorothy Gilman
Stuart M. Kaminsky
Joseph Wambaugh
Barbara Mertz (aka Elizabeth Peters & Barbara Michaels)
Ruth Rendell
Dick Francis
Tony Hillerman
Helen McCloy
Hillary Waugh
Phyllis A. Whitney
Michael Gilbert
Dorothy Salisbury Davis
Julian Symons
Stanley Ellin
W.R. Burnett
Aaron Marc Stein
Ngaio Marsh
Eric Ambler
Judson Philips
Mignon C. Eberhart
John Creasey
Baynard Kendrick
George Harmon Coxe
Rex Stout
Vincent Starrett

Obviously, some of the folks I haven't read are easy to find (Stout, Francis, Rendell), while others are ones I'll have to track down, but I've got a good library system, so I have faith I can do it.

Anyway, this is basically an accountability post. My reading's been about 80% mystery/crime/thriller/espionage these days, because that seems to be where my brain's comfortable right now.

*73, technically, but I’m counting “Ellery Queen” as one person here, and also not even getting into the EQ books written by folks other than Dannay and Lee.
Darth Tater

A few thoughts on Picard

We binged the series the other day. A few thoughts:
[Spoiler (click to open)]
1. In many ways, this was as much a show from the '90s as a current show; we not only had Picard and Seven, we also had Riker and Troi, and then folks like Hugh, Maddox, and even poor Icheb.

2. I do feel the ending was an utter cop-out, and I couldn't get invested in the grief of the characters knowing (just from story beats, not spoilers) that the person they were mourning was going to live. And holy shit was that hand-wavy. "You're now a synth, but you're exactly like your old human self minus the one brain tumor, and we'll never discuss this again."

3. The Seven/Raffi thing borders on being the sort of throwaway "we care about gay people" stuff we got with Dumbledore, with barely more screen time (literally a second) of anything. They need to work on this during S2.

4. I love everything about the ship's five AIs. And Will and Deanna's daughter.

5. So a Romulan infiltrated Starfleet, became head of security, and almost committed genocide, and it's cool that she's just flying off? Seems like a bad thing.

6. Allison Pill has come a long way since her time as Kim Pine.

7. Speaking of hand-wavy, dragging eight stars into one system? That seems a little high-tech even by Trek standards.

8. I think I'd have liked this series a little more if I hadn't been in the middle of Discovery, which is, on every level, a better show (well, every level other than Patrick Stewart). That's not this show's fault, but the plot just rolled out slower, had less going on, and honestly, we all kind of knew where it was going, for the most part.
Darth Tater

PhotoGnome

Woke up to some utterly awful news on FB, that photognome had died suddenly last night. I'll repeat what I posted on FB here:

It's been zero days since I've woken up to the news that a friend died. Joe (AKA PhotoGnome) was one of those people who just made everyone around him so much happier, and was a wonderful part of my life online long before and long after we were neighbors in Atlanta. I still have fond memories of sushi at Ru San's, conversations at DragonCon, and just plain hanging out and chatting about comics. The world's a lesser place without him in it.

Just an awful loss. I know many LJ/DW folks have migrated to FB and Twitter, but folks here should know, and frankly, Joe's one of those people who should be memorialized wherever we can.
Green Kiki

Doomsday Clock

So I read Doomsday Clock last night, and honestly? Kind of liked it. A few random and largely unspoilery thoughts:

- Unlike Watchmen, which stands alone if you have literally no knowledge of comics (even if it gains layers when you do), DC (heh) requires not only knowledge of Watchmen (reasonable for a sequel), but of the DCU, both in the general sense, and in some very specific ones (notably the fact that the golden age of superheroes had only recently been once again shunted to a separate earth). Not a criticism, but it speaks volumes about the intended audience.
- After years of crap like Death Metal and Final Crisis, it is so fucking refreshing to get an event book that A) stands on its own without reading a zillion tie-ins, and B) doesn't fetishize Batman as the Most Important Guy Ever.
- Mime is possibly only the second character ever from the Watchmen universe to have superpowers (unless there's a technological explanation for what he does -- it's left unsaid). I do find it interesting how little power there is in that universe compared to the DCU.
- The end result of the book and its take on multiverses is one I'm pretty damned happy with. It's extremely Superman-focused, but I'm okay with that because A) it makes sense and B) it's never about Superman being So Damned Cool that the writer clearly wishes he were him (see Morrison and Snyder again).
- If I have a major criticism here, it's around the handling of Firestorm, but honestly, other than Conway and Ostrander, I've generally hated any writer's handing of him.

(Oh, and no, I don't believe that Only Alan Moore Is Allowed to Write These Characters. Which is not to say that less isn't more - Before Watchmen was largely pointless and rancid -- but that's a bullshit argument.)